3 Cases of Faulty Parallel Structure of Negation

3 Cases of Faulty Parallel Structure of Negation 3 Cases of Faulty Parallel Structure of Negation 3 Cases of Faulty Parallel Structure of Negation By Mark Nichol The following three sentences, each followed by a discussion and a revision, illustrate the problem with setting up a â€Å"neither . . . nor† construction or similar phrasing without careful attention to grammatical integrity. 1. â€Å"Data coming from third-party sources can neither be made to comply with the organization’s security guidelines nor can its authenticity be trusted.† The grammatical confusion in this sentence is akin to that in a sentence in which the wording of a phrase including â€Å"not only† and â€Å"but also† is incorrectly ordered. (Search â€Å"not only . . . but also† on this site for multiple posts about frequently erroneous construction of sentences that include those phrases.) A â€Å"neither . . . nor† construction is not valid when a repeated verb (such as can) follows it; use it (with neither moved after the verb phrase â€Å"made to†) only if a single instance of a verb will serve both phrases: â€Å". . . can be made to comply neither with the organization’s security guidelines nor its (something else).† But for this sentence, let cannot take the place of â€Å"can neither†: â€Å"Data coming from third-party sources cannot be made to comply with the organization’s security guidelines, nor can its authenticity be trusted.† 2. â€Å"He does not represent neither goodness nor kindness.† Here’s another misuse of the â€Å"neither . . . nor† construction. Here, it is redundant to not; use one or the other: â€Å"He does not represent (either) goodness or kindness† (either is optional) or â€Å"He represents neither goodness nor kindness.† 3. â€Å"Smith wasn’t lamenting the view, but the decision by Yosemite National Park to change the names of some of the world’s most beloved destinations.† As with the first example, this sentence’s problematic grammar resembles that often seen in the erroneous construction of a â€Å"not only . . . but also† statement. Here, the verb lamenting should split the contraction wasn’t so that the contrast is clearly stated in â€Å"not (this) but (that)† form: â€Å"Smith was lamenting not the view but the decision by Yosemite National Park to change the names of some of the world’s most beloved destinations.† Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:36 Adjectives Describing Light60 Synonyms for â€Å"Trip†Comma Before Too?

Gangsterism essays

Gangsterism essays GANGSTERISUM In 1919 congress passed the eighteenth amendment. Which abolished alcohol and legally prohibited the manufacturing or sale of any kind of alcoholic beverages. Thus bringing the rise and increase of organized crime and criminal activity. This amendment would be a huge mistake for the country and the United States would suffer severely. If there is a demand for something, no mater what it is, there will always be somebody there to partake in the process of fulfilling those needs of the consumer. Many people indulged themselves in many different kinds of alcohol, in many different ways. It was a way of life. Then the government steps in and puts a band on this way of life. State and federal agents immediately closed down the bars and saloons. Only to reopen as underground speakeasies. So people started having to buy their cherished alcoholic beverages illegally. Hidden places where people could knock and speak softly at a securely locked door, a secret establishment for ent rance into the underworld of illegal liquor consumption. These secret places were first created by soon to be powerful mob bosses. These bootlegging merchants that ran the speakeasies found riches and power in the illegal operations. Thus bringing the introduction into organized crime. Organized crime was soon on the rise, especially in large cities. The large bootlegging operations blossomed into many other illegal activities. These organized crime leaders had the police on their payroll working for them. They would tell them to look the other way and the crooked police were paid very generously for their injustice abuse of authority. They also had their hands in other corrupt businesses such as prostitution, illegal gambling, and the smuggling of many different kinds of narcotic drugs. Gang violence also became stronger between the rival mobs of organized crime. Street wars broke out and many demonstrations of these crime le ...

Miranda Rights Research Paper Example | Topics and Well Written Essays - 1500 words

Miranda Rights - Research Paper Example Arguments against Miranda Rights have to contend with counter-arguments that not having this protective mechanism in place will open citizens to potential rights abuses, and that not having this mechanism will remove a key set of information that individuals need when dealing with police. Those in favor of Miranda Rights must deal with the thought that they do not really change or better society in any substantive way. A comparison of these arguments and their relative worth is necessary to establish how much progress Miranda Rights have made since their inception in protecting individuals from harm. Miranda Rights, as they exist now, were conceived in 1966 as a result of the United States Supreme Court case Miranda vs. Arizona, in which Ernesto Arturo Miranda signed a confession without being properly informed of his various Constitutional rights related to due process. Miranda challenged the conviction based on this false confession and the circumstantial evidence that connected hi m to the crime, which led to Chief Justice Earl Warren of the Supreme Court to draft the first version of the Miranda warning. From this court case, suspects were now entitled to be informed of their rights to not self-incriminate and to seek counsel, even if he cannot afford one. The Court's opinion also indicated that if an individual chose to exercise his Miranda Right to remain silent, the interrogation must cease; likewise, if an individual chose to exercise his Miranda Right to counsel, the interrogation must cease until counsel can be found with whom he can confer with during interrogation. As with any verbal warning, there is a vague set of standards related to waiving or acknowledging understanding of the warning. With the Miranda Warning, a suspect must be asked if he understands these rights given under the Miranda Warning—either after each sentence of the Warning or after the entire Warning has been given. A person's silence in response to the Warning is interpret able, according to a recent decision by the Supreme Court, as an understanding of what the Warning says (Bravin, 2010). However, the issue is complicated when the Miranda Warning is issued to people who do not speak English or speak it poorly. In this case, the Miranda Warning will not help suspects who cannot understand its content. The standards for delivering the Warning to those suspects, then, become difficult to define. However, delivering the same Warning to all suspects taken in under arrest gives a sense of standardization and equality for everyone under the ideal of procedural justice, even if true justice is not achieved in every case. This argument against the Miranda Warning is one that its supporters must contend with as English becomes less of a dominant language among a growing American demographic. Miranda Rights are also vague in terms of their standards for exceptions. What comes to mind first of all is the public safety exception, derived most clearly from the Su preme Court case New York v. Quarles. In that case, officers questioned a suspect on the location of a firearm in a public setting before informing him of his Miranda Rights. The Court ruled that when the

Mathematics in motion Research Paper Example | Topics and Well Written Essays - 750 words

Mathematics in motion - Research Paper Example P is the momentum of the moving object and m is the mass of the moving object. The mass of the object remains constant. During collision of the vehicle, momentum is conserved. Car collisions are inelastic in nature. A car tries to absorb the impact of collision by diverting the force. During this type of collision momentum is conserved but the kinetic energy is not totally conserved. The transfer of the kinetic energy is difficult. It is easier to determine the position of an object, if the force is known. The simple way to do this is to double integrate the differential equation of force twice. After the first integration velocity is the yield and after second integration, position of the object can be determined. The method can be utilized to evaluate the trajectory of an object. The method is an easier method that gives an analytical solution to evaluate the position of the object when the force is the function of time (Chemistry.clemson.edu, 1998). The function depicts that the c ollision between the vehicles is fatal due to the gain in the kinetic energy with respect to the increase in the force with respect to time. The function gives that force is directly proportional to the displacement. However, it is also dependent on the time. The three equation of motion are: †¦Ã¢â‚¬ ¦ (1) †¦Ã¢â‚¬ ¦.. (2) †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. ... and the driver accelerates the car with 2m/s2 for 5 second, he will attain a velocity of 11m/s, which is relatively high speed as compared to the initial velocity. In the similar manner if the driver has an initial velocity of 50m/s and driver accelerates the car with 5m/s2 for 10 second, he will attain a velocity of 100m/s that is double the initial velocity. Thus it is important to take care of the speed laws and accelerate the car recommended manner. In other case, if the driver has the initial velocity of 10m/s and driver accelerates the car with 5m/s2 for 10 second, he will cover about 350 meters. In the similar manner if the car is going too fast consider at 100m/s and we have to stop it to 0m/s in 2 seconds. The car has to decelerate at the rate of 50m/s2. If the rate of deceleration is about 20m/s2, the car would take 5 seconds stop. That speed laws are there to control the speed of the vehicle and stop the vehicle in no time. The more the car attains speed, the more time it will require to stop the car. In the similar manner, if the car stops in 5 seconds and decelerate at -20m/s2, it will cover about 250 meters to stop the car. If we want to stop the car in just less than 10 meters then the deceleration required will be -500m/s2, which is what we require in case of stopping the car. In this way, speed should be controlled according to the speed laws. References Chemistry.clemson.edu (1998).  Newton's Equation of Motion. [online] Retrieved from: http://chemistry.clemson.edu/chemdocs/marcusgroup/software/CONCEPT/QMA/fma/fma.htm [Accessed: 6 Dec 2013]. Physics.info (2013).  Equations of Motion - The Physics Hypertextbook. [online] Retrieved from: http://physics.info/motion-equations/ [Accessed: 6 Dec

The different between originality and plagiarism Essay

The different between originality and plagiarism - Essay Example Originality on the other hand is a different concept and it is not a wrong act as is plagiarism. It is basically the assembling of ideas and writings by an author that were already available and presented by other writers with the viewpoint of the current author. The author gives a new shape and meaning to the other thoughts and philosophies and does not basically steal the ideas of others. It is an original piece of work where the author can be credited for the writing as he only takes the understanding from previous readings but amends and writes them according to his own concept and viewpoint. According to Knoop, â€Å"Originality is defined as the identification, development, and combination of pre-existing structures and elements, mostly from literature, but also from other fields, such as philosophy, politics, or science.†(Knoop 2011). Thus, plagiarism is an act of copying the works of sources without acknowledging the true writers of the author.

Christoph Büchels Simply Botiful: Overview and Analysis

Christoph Bà ¼chels Simply Botiful: Overview and Analysis Christoph Bà ¼chel. SIMPLY BOTIFUL 11.10.2006 – 18.03.2007 Hauser and Wirth Cheshire Street London Above the entrance to Christoph Bà ¼chel’s ‘Simply Botiful’ there is a ‘Hotel’ sign. Entry to the new ‘Hauser and Wirth’ space in Brick lane is made by walking past a dusty reception. Following this, gallery attendees are apprehended by an attendant with a clip board, who asks guests to ‘sign-in’, before taking their coats and bags. If you read carefully the documents that you are signing, it turns out that you are wavering your rights to sue, should you suffer damage to clothing, or to yourself during your tour of the exhibition. The reasoning behind this becomes clear as you proceed. Very quickly it is apparent that we are in a Hotel style mock up.[1] Once one has ascended the stairs into the main ‘gallery’, they are confronted with a hallway packed with small make shift beds. Taking the first door to the right (as most attendees will be inclined to do) one finds themselves in a room that seems a little out of place. It appears to be the study room of someone deeply interested in Psychoanalysis and Anthropology: The walls are covered in early naà ¯ve-imperial pictures of native persons and unusual animals, whilst a vitrine lies full of bones, clay pipes and other artifacts. In one corner resides an imposing Analysts chair. The association here makes one think of a long line of artists and writers that have dealt with psychoanalysis and analytical ideas (such as Dali), yet there is another element to Bà ¼chel’s work. Far from merely presenting psycho-analytical ideas in a pictorial form Bà ¼chel actually throws the gallery viewer on themselv es, pushing them into a personal analysis of their situation. In this first room one can hear the sound of loud (but distant) Thrash Metal music that appears to come from inside a wardrobe, on the near side of the room. Those more curious will fine that in the wardrobe, behind a couple of mangy suits there is a small hole, rising about 2 feet square from the base of the wardrobe. Those more curious still will climb through the hole, not even sure of they are allowed, or supposed to do so. It is in this sense that: ‘Bà ¼chel’s complex installations force his audience to participate in scenarios that are physically demanding and psychologically unsettling.’[2] On entering into the wardrobe the individual finds themselves in a room, with a small bed, some bags of discarded children’s toys and a burnt out motorcycle in a glass cabinet. The music becomes much louder – pushing the boundary of what is safe to listen to. Emerging from the cupboard again, one must take the chance that a small audience has amassed in the first room, and will be watching you as you crawl on hands and knees back into the relative normalcy of the analyst’s office. Aspects such as these give the show a performative element, as each gallery attendee becomes entertainment for others: ‘He explores the unstable relationship between security and internment, placing visitors in the brutally contradictory roles of victim and voyeur.’[3] Other rooms on this first floor quite clearly point to this space being a brothel (ostensibly). Porn magazines, crumpled bedsheets, red lights and condom packets litter three more bedrooms and suggest an uneasy seediness. Upon entering these rooms, one feels like an intruder and is put in the position of literally feeling like both victim and voyeur. In a sense, this is the trick that conceptual/readymade based art plays. Duchamp’s ‘Fountain’ (made under the pseudonym ‘R.Mutt’) – an upturned urinal that he attempted to exhibit in an open exhibition in 1917 taunts the viewer. It is art, because the artists himself says so: ‘Whether Mr. Mutt with his own hands made the fountain or not has no importance. He CHOSE it.’[4] Yet the viewer of a readymade is left in the position of feeling ‘duped’. Believing such pieces to be credible artworks involves a certain leap of ‘faith’. Each person must make this leap, aware that others are watching (thus they are a victim), but they also make this judgement over the artwork as the ‘voyeur’. Bà ¼chel’s semi-readymade, constructed from found objects in a converted warehouse gallery takes this a step further and really challenges the viewer: The viewer is challenged into questioning whether what they are looking at is art, and into considering their role within the artwork – as participants in it. In this sense, the gallery attendees become ‘readymades’. Once one has walked through the hotel, they arrive on a balcony, overlooking what appears to be a crossover between a workers yard and scrap yard, with several iron containers, and piles of disused refrigerators. Upon descending a set of iron steps one finds themselves free to roam amongst the detritus. One container is full of broken computer parts; another is virtually empty, except for a filthy table. The overall sense one gets immediately is one of poverty – another container holds sewing machines and rolls of fabric: presumably some kind of sweatshop. There is something harrowing about this, which is compounded somewhat by images of hardcore porn pasted to the walls of one container that features nothing but a makeshift punch-bag and a seemingly empty refrigerator. However, there is also something celebratory about Bà ¼chel’s huge semi-Readymade. Gallery attendees gradually become more comfortable and rush from one container to the next, probing deeper to find unexpected treasures. The refrigerator at the far end of the above mentioned container actually features a set of steps, descending to a tunnel carved through the ground beneath the gallery. Upon arriving at the other end, one finds a huge mound of earth, with Elephant or ‘Mammoth’ tusks protruding from one side! How to react to this is again down to the viewer, and throughout the exhibition, similar oddities are met with mixtures of fear, excitement, awe and humour. There is certainly a darkness inherent to Bà ¼chel’s work, and a strong controversial social commentary (beneath a container lorry in the workers yard, the gallery attendee finds a secret room featuring Muslim prayer mats, Bibles and pornography). However there is also a strong element that throws the viewer upon their own resources, forcing them to question the role of art. In a sense, this is what good art does. As philosopher Theodor Adorno argues: ‘It is self evident that nothing concerning art is self evident anymore, not in its inner life, not in its relation to the world, not even in its right to exist.’[5] This leaves art in the difficult position of constantly questioning itself, and one way of doing this is to present the viewer with a constant need to question their relationship with the artwork. This often makes for art that appears on the surface to be tragic. Yet the way in which art can lead the viewer to question not only art, but their own confidence in judging art actually provides challenges that may have positive results. Art gives one an opportunity to really engage with themselves and their environment in way that mass consumerist culture doesn’t. Adorno argues: ‘The darkening of the world makes the irrationality of art rational: radically darkened art. What the enemies of modern art, with a better instinct than its anxious apologists, call its negativity is the epitome of what established culture has repressed and that toward which art is drawn.’[6] Therefore Bà ¼chel’s somewhat twisted and tragic world actually breaks through the repressive element that society enforces. Perhaps this is one meaning that can be applied to the representation of the analysts/anthropologists office, which is the first room the viewer stumbles upon when entering the exhibition space. Further to this, Bà ¼chel’s show builds upon Joseph Beuys’ declaration that ‘We are all artists,’ (a declaration that itself built upon Duchamp’s proclamation that ‘anything can be art’): ‘EVERY HUMAN BEING IS AN ARTIST [†¦] Self-determination and participation in the sphere (freedom)†¦Ã¢â‚¬â„¢[7] In inviting the audience to partake in the artwork as both voyeur and victim, Bà ¼chel makes evident the capacity of all individuals to fulfill a role in bringing forth societal change as artists with the capacity to designate mere objects as art. The confidence inherent in such a judgement can from thereon be applied to other spheres of life. The success of Bà ¼chel’s exhibition resides in his demonstrating the above points without over complicating things. The viewer is drawn into an interactive art space that questions constantly, without necessarily being aware that they are put into the position of having to answer complex art/life riddles. Yet, at some point during or after the exhibition something of the nature of Modern and Postmodern/Contemporary art will be made apparent to them: For an artist to achieve this is a rare skill. Bibliography Books Adorno. T.W. 1997, Aesthetic Theory, transl., Hullot-Kentor, R., Athlone Press,  London Harrison. C. and Woods. P., Eds., 1998, On Commitment, Art in Theory: An  Anthology of Changing Ideas, Blackwell, Oxford. Exhibition Press Release Christoph Bà ¼chel. SIMPLY BOTIFUL 11.10.2006 – 18.03.2007 Hauser and Wirth Cheshire Street London [1] For a fully detailed internet ‘walk through’ tour of the exhibition see: http://www.ghw.ch/exhibitions/walkthrough.php?exhibition_id=415 [2] From the Press Release for ‘Christoph Bà ¼chel, Simply Botiful’. Hauser and Wirth Gallery, 2006. [3] Ibid. [4] Harrison C, and Woods P., Art in Theory: An Anthology of Changing Ideas, 1998, p248. [5] Adorno. T.W., Aesthetic Theory, Transl, Robert-Hullot-Kentor, 1997, p1. [6] Ibid. p19. [7] Harrison C, and Woods P., Ibid., p903. Forgive the fragmented nature of this quote. The text itself is equally fragmented.

Does the I-Function Control Dreaming? :: Biology Essays Research Papers

Does the I-Function Control Dreaming? Imagine you are in a dream. The world is different from the way it normally appears. Things that would normally be impossible are happening. You have no clue this is a dream. All of a sudden things start falling into place within your brain. You realize you are dreaming. By exerting your will you can alter the scene. You can do all of the things you always wanted to do. With a bounding leap you are flying. You are controlling this and you know no harm can come from it. This is lucid dreaming. Does the I-function control this? It would appear that it does because it is creating everything and you can direct what happens. Everyone dreams. It is a natural part of the sleep cycle. It occurs during the rapid eye movement (REM) stage. Do dreams stem from the brain going through normal activity or do they come from a controlled portion of the brain? This question raises continual debate among people. However, both sides may be correct. Most of the time a person dreams and is not aware of it occurring. There are other times when a person becomes aware they are dreaming and can influence it. This is lucid dreaming. It appears that the I-function plays a more active role during lucid dreaming. This could be a new outlet where the I-function is allowed to run without constraints and produces more influences than it normally does. Regular dreaming occurs without one being aware of it whereas the I-function brings consciousness and control to lucid dreaming that does not occur at any other time during sleep. An introduction to sleep provides important background to understanding when dreaming occurs and the state of the brain. The whole process is initiated by the release of various chemicals in the brain. They cause particular areas to shut down and this is sleep. There are various stages to the sleep cycle. They are NREM, Stages 1-4, and REM. During the first five stages, NREM and 1-4, brain activity continually decreases. An electroencephalogram (EEG) reveals this by measuring all action in the neocortex. However, during REM abnormal activity begins to take place and the brain function resembles that of a person who is awake. The EEG shows fast, random waves indicating increased activity (6). Typically a person goes through many cycles of this process during a normal sleep pattern.

Comments and Reactions on 2014 SONA Essay

July 28, 2014, President Benigno S. Aquino, delivered his fifth State of the Nation Address and tackled the matters for government’s contribution in terms of education, health services, defense, public works and many more. The President first mentioned about the controversial â€Å"Disbursement Acceleration Program (DAP)†, and still convince his bosses (Filipinos) of the good achievements of DAP. As an example, he cited Technical Education and Skills Development Authority (TESDA) as an example, and furthen even showed video clips of those TESDA graduates who have now better lives because of their scholarship. He also highligted some of the accomplishments of the administration which involves the following: the Expanded Conditional Cash Transfer of Department of Social Welfare and Development (DSWD), which is now extended when the benefeciaries reached eighteen (18) years of age, not only after the completeion of high school; the broader scope of Sin Tax Bill, which help our country increase its budget without increasing other taxes; see more:sona 2017 reaction On the labor sector, it has been noticeable that there is sudden decrease in the number of strikes due to the improved conciliation and mediation of labor cases by the Department of Labor and Employment (DOLE); In the infrastructure, the President acknowledged the improved system of the Department of Public Works and Highways, that leads to lesser of corruption within the bidders and contractors which lead to faster delivery of service and resulted to P28 Billion savings and road projects for the Filipinos. I have my personal omments as I watched nd read the content of the said SONA, as follows: There is no admission of any problems encountered by our country. As we heard the President, it seems that everything went well for the Philippines. I partially agree and gave credit to our present Administration for all its efforts to improve our economy, fight corruption and improve the rotten system of the government. However, in the SONA, there is no admission of any problems and issues encountered of the country and this Aquino Administration, or if he can promise not to have another DAP and Pork Barrel Scam in his administration. On the other hand, I agree with the way the President delivered his SONA, in a softer and calm way. Also, good job for no more attacking words and pointing fingers for the previous leaders administration. Further I am looking not only for the  achievements of this country during Aquino administration but but also for the concrete plans and continuity of what he has started, and think those matters were missing in the SONA. To conlude my reaction, I can say that I am satisfied with the content of President Aquino’s SONA, let us not be so dependent on what the government and the President can and cannot offer us, more importantly let us focus on improving ourselves first, the way we will not be a burden, but as assets and contributors to the growth of this count ry.

Ancestral Photograph Essays

Ancestral Photograph Essays Ancestral Photograph Paper Ancestral Photograph Paper Essay Topic: Poetry There are several language devices used in Ancestral Photograph. To start off, Heaney used simile in the first line, solid as a turnip, this phrase suggests that the jaw of the person in the picture is stiffed and unnatural because of the word solid meaning something hard. Except for the phrase mentioned above, there are more that suggests the tension that the person had in the picture. Dead eyes are statues also suggests a tensed atmosphere because statue is a non living thing and it wont move, hence suggesting the person was just like a statue not being able to move. Enjambments were used widely in this poem, for example, from line 2 to 3 upper lipBullies. The enjambment emphasized the mouth action of the person; the upper lip was bullying the lower lip. The word Bullies gave a sense that the upper lip was overlapping lower lip. The phrase silver watch chain again showed that he was sitting difficultly and was forced to hold the position because it gave an image of that the person was being strapped or tied up with the chain. In the second stanza, Heaney informed about the photo being taken off, with an enjambment begins to fade.. And must come down. This enjambment not only showed that his memory and feeling towards the person in the photo is beginning to fade but it also suggested that the picture was very insignificant to him and that it have to be taken down. Later on he emphasizes the point that the picture is no longer vital to him with a simile as if a bandage had been ripped from skin, this line suggests that it was forgotten because a bandage is normally ripped off when the wound is healed and no more scar could be seen. At the end of stanza two, Heaney created a image of the picture was the key element protecting the memory of the house with the line Empty plaque to a houses rise and fall. Empty plaque was being referred as the place where the picture was placed and it gave an idea that its still the same. The clause houses rise and fall was used to show the up tide and the low tide that the family had been through. In the concluding stanza, Heaney used another enjambment connecting two eminent lines Your stick.. Was parked behind the door and stands there still. The clause Your stick was representing the herding stick that his father and uncle used when they are at work, and Heaney also expressed that although he didnt follow his father or uncles foot step he still remembers the family career and would carry it on with his own ways with the phrase stands there still.

Baroque Era essays

Baroque Era essays Humanism symbolizes an intellectual movement that begun in Verona. Humanist had faith in and emphasized the dignity and worth of the individual. That faith turned into the rediscovery of culture of classical antiquity, which contains elements of literature, history, rhetoric, ethics, and politics. A basic premise of humanism is that people are rational beings who possess within themselves the capacity for truth and goodness. This Renaissance revival of Greek and Roman studies emphasized the value of the classics for their own sake, rather than for their bearing to Christianity. Furthermore, the movement of Humanism had a major impact and influence in the Renaissance with a different mind set on how human beings view life. This movement made an impression on the elements of literature, visual arts, and music of those times. The humanist movement started in Italy, where the four early figures Francesco Petrarch, Giovanni Boccaccio, Giorgio Vasari, and Lorenzo Valla contributed greatly to the discovery and preservation of classical works. Petrarch, a Latin scholar, dedicated his life in studying golden wisdom of the ancients. Golden wisdom pertained to proper conduct of ones private life, rational governance of the state, the enjoyment of beauty, and the quest for truth. One of the first Westerners to study Greek was Boccoccio whom was a great writer. Vasari, invented the word rinascita (renaissance) for the reason that there was no Latin word for rebirth. Vasaris term was applied to the fine arts that had developed out of early humanism, but the term now describes an era that consciously freed itself from medievalism. Valla another Renaissance dedicated scholar of immense learning dared to challenge any authority and translated Herodotos and Thucydides into Latin. Furthermore, Petrach and other humanist all wrote in the same language, the vernacular language which became the accepted la...

Explanatory of The Inheritance of Loss by Kiran Desai Essay

Explanatory of The Inheritance of Loss by Kiran Desai - Essay Example Jemubhai Patel is an embittered judge, wounded by his past, which holds both hurtful and glorious memories. It is ironic how much love he can shower on an animal, his pet dog, while he regards other people with distrust. He has shut himself off from all human contact. Sai is the youthful granddaughter who somehow tames Patel’s otherwise dark persona with her feistiness and curiosity. She reminds him of himself when he was a youth. Sai is one person who gives hope that her grandfather will ultimately come out of the tough shell he has built around himself. The cook, Biju’s father is the traditional, superstitious and chatty helper awed by the allures of modernization and is bent on his son to realize the American dream. It is through this cook’s voice that the reader learns a parallel story about love and loss. Patel’s neighbors, Lola and Noni are Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is--at least until a surge of unrest disturbs the region. The title of the book is so intriguing. When one hears of an inheritance, it is usually something so precious, so cherished that the next generation anticipates it to be bequeathed with pride and honor. Desai’s Inheritance of Loss truly reflects her adeptness for irony. True, the pathetic state of loss can be inherited and may be passed on to future generations, but how can anyone anticipate such a dreadful fate? The story is delivered in such a compelling way that the reader understands the process of loss of cultural identity being passed on from the elders to the young. The book tells of different stories but anchors its base on Kalimpong in the at the foothills of Mount Kanchenjunga in the northern Himalayas, specifically in the decaying cottage named Cho Oyu, the household of Jemubhai Patel, who lives with his granddaughter, Sai and his beloved dog, Mutt. The

BA Social work - Values and ethics Essay Example | Topics and Well Written Essays - 3000 words

BA Social work - Values and ethics - Essay Example The working conditions and cases handled are usually very different for each case of social work. Ethical dilemma arises when the right answer to any course of action is not obvious i.e. it can be in child services to differentiate between vulnerable and exploited child. There are also some situations where the individual need of a child is overlooked over the other issues. The same was the case of Victoria Climbie, where her needs were overlooked over the housing requirement of her aunt and murderer. There may be values which contradict with each other. This theory is based upon the consequences of any particular activity. In this the net benefit resulting from any act or policy is calculated. It is based on the happiness or unhappiness a person gets from the consequences of any particular policy which is rather a difficult task. It depends upon individuals’ ability to think of consequences. It leads to lots of uncertainty in the complex situations. This theory can be utilised in the simpler issues. It can be understood by the example of Victoria Climbie case inquiry. Anonymous call was made to inform Brent Social Services for the bad condition of the child. If Brent Services had responded in time and handled the case properly with the view of the worst consequences (which happened later) may be Victoria Climbie would have saved. This theory was developed as a criticism of consequentialist theory. Consequentialist theory emphasis more on the end means that are consequences. This theory states that means which are leading to those consequences are equally important. The means have got moral importance. 18th Century Immanuel Kant had explained the theory, placing the emphasis on the duties and rules. He explained with simple examples like ignoring rules like ‘do not lie’, ‘keep promises’ and others will have bad consequences. This theory can also be